I have been dabbling in ceramics since 1994, but my interest in the medium became focused after my archaeologist daughter invited me to study with her friend and mentor, Felipe Ortega, a master in the traditional micaceous pottery techniques of the Northern Rio Grande and the Jicarilla Apache.
My teacher has not only taught me to work with the clay but also to understand and appreciate the importance of the clay to his people.
My teacher has not only taught me to work with the clay but also to understand and appreciate the importance of the clay to his people.
The rich micaceous clay is dug directly from deposits in the Sangre de Cristos Mountains of northern New Mexico. The fabric of this clay is more than 80% mica and finished vessels glitter like gold. The stunning beauty of micaceous pottery is matched only by its functionality. For over 800 years, micaceous vessels have adorned the adobe kitchens of New Mexico and are still used today to slow cook beans, chilies, and meat with delightful results.
Historic Jicarilla Apache Micaceous Cook Pot
“Indian people view pottery not only as containers for food or other items, but also as containers and givers of life. They are beings created by the union of clay and water through the potter’s hands and thoughts, which are transferred into the vessel. They have a life and a history, and they can bring good or harm to people who use them or eat from them. When they are fired, they are born. When they are broken, they die and go back to Mother Earth."
~Felipe Ortega
According to Indian tradition, vessels as containers and metaphors of life hold within them the beauty of all living things.
Picuris Mountains, New Mexico
Recent Work
Birds and Figurative Pieces
Pots and Platters
The Biography of a Pot
History of a Tradition
On Care and Cooking
Birds and Figurative Pieces
Pots and Platters
The Biography of a Pot
History of a Tradition
On Care and Cooking
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